In the Works Wednesday

Silly title, I know. It's late. I decided not to post the new photos of the finished painted works because I'm *so* close to uploading the new website that I'll save them for there. The blog is more for the "in the works" stuff anyway. All those "in between" pictures of the piece before completion need a place too. This is it. So, in the spirit of that, here's some shots of some little misc. sculpture stuff I've been up to!

Remember those three sneak peek photos a few posts back? That's the Icelandic Horse hangin' in his second coating of rubber. All that good stuff is dripping down onto the Willy Remember Me portrait piece, who's in her first layer of rubber. Still lots of layers to go. I've been neglecting them too. The poor Icelandic, Baldur has been sitting in that first layer for over a month now. Mimi has been sitting there too, just sans rubber. It only takes me a half an hour or so to measure, mix, and apply the rubber to the two of them so I need to just set aside some time for them. 

I've also been experimenting with claybodying. For some time I've seen Darcy as an Arab, but never wanted to do all that customizing work in resin and Apoxie. Mud ponies provided the answer. :) 

I love it! Don't mind that back right foot. It's globby and will be sanded after she's bisque. I'm thinking fiery chestnut with chrome. Or a contrasty dappled rose gray. Not sure which way to go yet. The original Darcy bisqued is below so you can compare. 

Success!

We did not get "burned" in this fire and two lovely bisque Darcy's are the end result! Check out the photo of Darcy 1 and Darcy 2 (claybody custom) Karen e-mailed me this morning!

What a nice way to start your morning, huh? I had gone up to Karen's yesterday for a quick lesson in how to work the kiln and programs. She wanted to see the real horses so she was nice enough to drive them down today for me. Aren't they gorgeous? I couldn't be more pleased. For all her amazing help and support I gave the claybody custom to Karen as a thank you. I cannot wait to see her work her glazing magic on it!

The earthenware slip I used was Laguna's CN-401G and I was worried it was going to fire an off white/tan color. Turns out it is a nice white after all! Good to know as this stuff is very easy to obtain and comes in these great little 1 gallon containers. It's been very easy to work with, which is a big bonus for a newb at all this. 

The uber thick cable for my crazy huge wattage-sucking kiln came in, so I'll be juicing this bad boy up shortly. Now that I know what I'm doing has been successful, there will be many more clinky goodies to come!

Before the Fire

So you all remember the previous post where I showed off my new-to-me-kiln and the beginnings of Darcy's mold? Well, the mold has been finished and is a success!! I have two casts out of it and will be aiming for a third this week.

The casts have to dry out completely before being fired. Here is the first "bone dry" Darcy. All the casts are hollow, but at this point they feel deceptively hard. They aren't. I was sanding the bottom of her hooves to make sure she was perfectly level and that back right one popped right on off. I'm hoping it fires okay!

And this is a claybody custom in the "leather hard" stage. She's had all her pieces put together and has been out of the mold in my wet box for a few days. This is the point where I can really work with her and not worry about denting or deforming her. She's firm, but very easy to whittle away on. Notice the dark color of her vs. the above bone dry shots of the other mare. This is how much moisture content is in the slip! I'm not quite finished with the cleaning on this piece, but just about. 

I have to tell you just how much FUN it is to customize the clay! It's so completely different, and yet the same. You really have to have a soft touch, but once you get the feel for the medium it's amazing! Wrinkles are a breeze and come out SO nice! 

I'm really curious to see how this earthenware slip I bought fires. I had planned on buying the same stuff Karen G. uses but after months of waiting and bugging them, the supplier still hadn't made any so I had to look elsewhere. I've got a suspicion that this slip won't fire as "white" as the one I wanted. That's not a big deal for the initial few as it means they just won't have white markings as the white in china is made from wiping off the glaze to expose the bisque underneath. 

I've got a "fire day" with Karen on the 8th as the wonderful woman that she is is going to walk me through the firing process since this will be my first time (EVER) firing a kiln. First time molding and first time slip casting were successes so I'm hoping for a trifecta! Wish me luck. :)